Lee Deigaard

  • WORK BY MEDIUM
    • Photography
      • Unbidden
        • Unbidden (i)
        • Unbidden (ii)
        • Sagacious Creatures
        • Horse: Nocturnal
        • Installation Trespass
        • installation views
      • Equuleus
      • Crusher Run
      • Horse: Diurnal
      • Horse: Nocturnal
      • Dirty/Pure
      • Dirty Lick
      • Embedded Lenses
      • Exploded Trees
      • Things Fall Apart
    • Photogenic Drawings
      • Encephalograms
      • Photogenic Drawings of Trees
      • Photogenic Drawings: Petri
      • Photogenic Drawings: Untitled (fluoroscopy)
      • Photogenic Drawings: Vortices III
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      • One Thing Leads to Another
      • Pulse
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      • Crusher Run
      • Flow
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      • A Tree Falls
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      • Horses at the Museum
        • How to Invite a Horse to a Museum
        • Gus and Deuce Go Elsewhere (video)
        • Gus and Deuce Go Elsewhere [stills]
        • Field Trip
        • One Day
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      • Heads, in the hand
      • Body
    • Video
      • Gus and Deuce Go Elsewhere (video)
      • Plastic Gulf
      • Steady Star
      • One Thing Leads to Another
  • WORK BY CONCEPT
    • Recent
    • Things Fall Apart
      • Things Fall Apart
      • Exploded Trees
      • A Tree Falls
    • Photogenic Drawings
      • Photogenic Drawings of Trees
      • Encephalograms
      • Photogenic Drawings: Petri
      • Photogenic Drawings: Untitled (fluoroscopy)
      • Photogenic Drawings: Vortices III
    • Animal Protagonist
      • Unbidden (i)
      • Unbidden (ii)
      • Sagacious Creatures
      • Topsy
      • Horse: Nocturnal
    • Horse
      • Equuleus
      • Horses at the Museum
        • Gus and Deuce Go Elsewhere (video)
        • Gus and Deuce Go Elsewhere [stills]
        • How to Invite a Horse to a Museum
        • Field Trip
        • One Day
      • One Thing Leads to Another
      • Horse: Diurnal
      • Horse: Nocturnal
      • Dirty/Pure
    • Topography
      • Crusher Run
      • Ink Drawings of Trees
      • Vortices
    • Moving Parts
      • Plastic Gulf
      • Steady Star
    • Body/Corporal
      • Equuleus
      • Forms
      • Hybrid Woman
      • Dirty Lick
      • Dirty/Pure
      • Horse and Rider
      • Body
      • Heads
      • Heads
      • Heads, in the hand
    • Forensic
      • Exploded Trees
      • Embedded Lenses
    • Textual
      • Dirty/Pure
    • Immersive
      • Pulse
      • Steady Star
      • Submerge
      • Flow
  • CURATE/COLLAB
    • Latin for Crab
    • PhotoBOMB
    • Standing Heat
    • You Beautiful Bitch
    • Animal Proximity
    • Sfumato
    • at The Front
  • INFO
  • WRITING
    • Encephalograms
    • Topsy Memorial
    • Forms
    • Photogenic Drawings
    • Hybrid Woman
    • Trees
    • a tree falls
    • Writing: Statmob
  • NEWS

Finalist for the Clarence John Laughlin Award!

September 14, 2012 By Lee

See the prodigiously talented other finalists here:
http://neworleansphotoalliance.blogspot.com/2012/08/clarence-john-laughlin-award-finalists.html

From the New Orleans Photo Alliance website:
The Clarence John Laughlin Award was created by the New Orleans Photo Alliance to support the work of photographers who use the medium as a means of creative expression. It honors the life and work of Clarence John Laughlin (1905-1985), a New Orleans photographer best known for his surrealist images of the American South. The Clarence John Laughlin Award grants one $5000 prize annually to a photographer whose work exhibits sustained artistic excellence and creative vision.

Both emerging and established photographers residing in the U.S. may apply.
The New Orleans Photo Alliance invites photographers working in all mediums, styles and schools of thought to apply. Still images made from all photographic processes, both traditional and digital will be considered. There are no restrictions on subject matter or genres. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal and emotional statements are all welcome. Still photography or photographic techniques should be integral to the works submitted.

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