Lee Deigaard

  • WORK BY MEDIUM
    • Photography
      • Unbidden
        • Unbidden (i)
        • Unbidden (ii)
        • Sagacious Creatures
        • Horse: Nocturnal
        • Installation Trespass
        • installation views
      • Equuleus
      • Crusher Run
      • Horse: Diurnal
      • Horse: Nocturnal
      • Dirty/Pure
      • Dirty Lick
      • Embedded Lenses
      • Exploded Trees
      • Things Fall Apart
    • Photogenic Drawings
      • Encephalograms
      • Photogenic Drawings of Trees
      • Photogenic Drawings: Petri
      • Photogenic Drawings: Untitled (fluoroscopy)
      • Photogenic Drawings: Vortices III
    • Drawing/ Painting
      • Ink Drawings of Trees
      • Vortices
      • Trees
      • Drawings
    • Installation
      • One Thing Leads to Another
      • Pulse
      • Submerge
      • Crusher Run
      • Flow
      • Steady Star
      • A Tree Falls
      • Eclogue
    • Projects
      • Horses at the Museum
        • How to Invite a Horse to a Museum
        • Gus and Deuce Go Elsewhere (video)
        • Gus and Deuce Go Elsewhere [stills]
        • Field Trip
        • One Day
    • Sculpture
      • Forms
      • Hybrid Woman
      • Topsy
      • Horse and Rider
      • Heads
      • Heads
      • Heads, in the hand
      • Body
    • Video
      • Gus and Deuce Go Elsewhere (video)
      • Plastic Gulf
      • Steady Star
      • One Thing Leads to Another
  • WORK BY CONCEPT
    • Recent
    • Things Fall Apart
      • Things Fall Apart
      • Exploded Trees
      • A Tree Falls
    • Photogenic Drawings
      • Photogenic Drawings of Trees
      • Encephalograms
      • Photogenic Drawings: Petri
      • Photogenic Drawings: Untitled (fluoroscopy)
      • Photogenic Drawings: Vortices III
    • Animal Protagonist
      • Unbidden (i)
      • Unbidden (ii)
      • Sagacious Creatures
      • Topsy
      • Horse: Nocturnal
    • Horse
      • Equuleus
      • Horses at the Museum
        • Gus and Deuce Go Elsewhere (video)
        • Gus and Deuce Go Elsewhere [stills]
        • How to Invite a Horse to a Museum
        • Field Trip
        • One Day
      • One Thing Leads to Another
      • Horse: Diurnal
      • Horse: Nocturnal
      • Dirty/Pure
    • Topography
      • Crusher Run
      • Ink Drawings of Trees
      • Vortices
    • Moving Parts
      • Plastic Gulf
      • Steady Star
    • Body/Corporal
      • Equuleus
      • Forms
      • Hybrid Woman
      • Dirty Lick
      • Dirty/Pure
      • Horse and Rider
      • Body
      • Heads
      • Heads
      • Heads, in the hand
    • Forensic
      • Exploded Trees
      • Embedded Lenses
    • Textual
      • Dirty/Pure
    • Immersive
      • Pulse
      • Steady Star
      • Submerge
      • Flow
  • CURATE/COLLAB
    • Latin for Crab
    • PhotoBOMB
    • Standing Heat
    • You Beautiful Bitch
    • Animal Proximity
    • Sfumato
    • at The Front
  • INFO
  • WRITING
    • Encephalograms
    • Topsy Memorial
    • Forms
    • Photogenic Drawings
    • Hybrid Woman
    • Trees
    • a tree falls
    • Writing: Statmob
  • NEWS

Encephalograms    Read about project

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  • Encephalograms
    digital drawings, dimensions variable

    “Encephalograms” are the tracings of a nonexistent machine whose freeze-frame technology captures the brainwaves produced by emotions. The machine draws from life. In making them, I considered ideas of attribution and authorship as belonging not to an artist’s hand but to an imagined clinical collaboration between a technician, a machine scribe, and a feeling, imagining subject. Results are entirely fanciful and therefore irrefutable.

    Related works-in-progress suggest other kinds of medical imaging like fluoroscopy.  If scars are a record of life written into skin, could medical imaging—at first glance gauzy, nebulous—record not physiology, but autobiography?  A benevolent machine lens trained into our darkest recesses offers insight and validation, portraiture.

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